Jane Eyre by Charlotte Bronte Essay

Jane Eyres excursion throughout Charlotte Brontes novel encompasses of a sequence of exploits in which Jane is challenged with variations of entrapment followed by go which serves as an act of overcoming. In the course of the novel, Jane finds herself imprisoned in Victorian Englands strict and complicated societal hierarchy, one of Brontes most central themes, and her struggle against prejudice prevails throughout. Janes quest to be loved, too, embodies deviations of entrapment and escape as Jane searches continually in order to gain love without surrendering herself in the process. In addition, Janes brushes with different models of religion lead her to form her own morality and philosophies, unlike those of society.The first variation of entrapment and escape is signified by Janes experience in the red ink room of the Gateshead mansion, as this is where Janes limit of exile and incarceration initially become clear. The red room symbolizes the entrapment of mixer class and u npleasant life experience due to her ambiguous social standing, which Jane struggles to escape throughout the novel. I could non answer the ceaseless inwards questionwhy I thus suffered now, at the distance ofI will non say how many years, I see it clear (17).Jane is stripped of the innocence and childhood while in the red room, and is coerce to meet the bitter emotions due to her unpleasant experience, realizing that she is financially strapped and excluded from society. Although Jane is eventually freed from the red room, she still suffers societal degradation from the Reed family, until she departs for Lowood, avoiding the maltreatment of her earned family besides unconsciously allowing the abuse of other authority while doing so. It seems as though Jane can never truthfully escape the affliction placed upon her by civilization, and she refers to her memory of the first looking ating of ridicule as a conjunctive to her current situation.Jane faces Brontes second version of entrapment during her years spent at Lowood. She is faced with two extremes of religion Mr. Brocklehurst, the spectral hypocrite, and Helen Burns, the passive and faithful Christian. Mr. Brocklehursts proscriptions are difficult to make sense of as he egotistically lavishes his own family at the expense of his students.Helen Burns, however, is meek and for openhanded in her religious ways, although loved and admired by Jane, proves to be too submissive for Jane to adopt when Jane claims, If people were always kind and obedient to those who are cruel and unjust, the horrendous people would have it all their own way they would never feel afraid, and so they would never alter, but would grow worse and worse (60). Jane struggles to experience both versions of Christianity, but eventually rejects both and forms her own principles. Her spirit is not discriminative like Brocklehursts, nor passive like Helens. As Jane puts it, it is natural as that I should love those who show me affe ction, or submit to punishment when I feel it is deserved (60).Because of her fear of losing her independence due to love, Jane in a way deceives herself. Jane believes that marrying Rochester would mean that she reduce herself to a mere mistress of Rochesters, giving up her dignity for emotional satisfaction, an unacceptable act in her eye. As Rochester makes an effort to show his love for her by embellishing her in feminine finery, Jane grows more(prenominal) and more fearful of whether Rochester will view her as equal or inferior (261). Although she believes she is an intellectual equal to Rochester, Jane is aware of the disparities of their financial and social standings. The mating to Rochester symbolizes entrapment, and it is assumed thus far in the novel, that their marriage will not last long Jane will discover a way to escape inferiority and refusal to adhere to passion rather than reason.